{"id":434645,"date":"2020-10-23T11:29:19","date_gmt":"2020-10-23T11:29:19","guid":{"rendered":"https:\/\/www.gilmar.es\/blog\/"},"modified":"2020-10-23T11:29:19","modified_gmt":"2020-10-23T11:29:19","slug":"flamenco-shows-costa-del-sol","status":"publish","type":"post","link":"https:\/\/www.gilmar.es\/en\/blog\/flamenco-shows-costa-del-sol\/","title":{"rendered":"Flamenco Nights on the Costa del Sol"},"content":{"rendered":"

If we can say that the epicentre of the birth of flamenco is in Cadiz as its universal cradle, it was obvious that due to its proximity this popular art would have a great impact on the border province of Malaga<\/strong> and the entire Costa del Sol.<\/p>\n

The role that Malaga played in the development of flamenco singing during the 19th and 20th centuries was important to the extent that it gave rise to a large number of singers and the poet Antonio Machado affectionately called it ‘Malaga the singer<\/em>‘.<\/p>\n

Some of the key figures of flamenco singing in Malaga were the great Juan Breva,<\/strong> El Canario de \u00c1lora, El Perote, La Trini, La Rubia, La \u00c1gueda, La Juanaca, El Pena padre or El Cojo de M\u00e1laga, to name but a few. In flamenco dancing, Malaga had an artist known as Cuenca, who was recognised in the specialised press of the time.<\/p>\n

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\u00cdndice<\/p>\n<\/span><\/div>\n